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Full disclosure: I’ve got priors with the albumBand on the Run.

But haven’t we all, to a degree?

Linda and Paul McCartney, photographed for Band on the Run in 1973, in black and white

It’s out now – and you really need to hear it

And oh, did we get it.

We also get an informal Q&A session with Martin.

Of course, you don’t get Giles Martin with your purchase, which means we’re incredibly lucky.

Giles Martin at Dolby Soho Square, talking about Band on the Run

It’s out now – and you really need to hear it

He came into the studio the next day wanting to record withSagbutts & Coronetts particularly the sagbutt.

Yes, an early baroque trombone!"

Want to latch onto a string-pull or cowbell inBluebird?

The three members of Band on the Run in 1973, as polaroid shots, in black and white on white background

Oh, their 1973 baby-faced polaroids!

you might they’re all here and with much more space around them than you’re used to.

Martin’s favorite track on the album?

“Oh,Band on the Runitself.

Band on the Run title at Dolby, Soho Square, with people sitting in front of the screen

This is emphatically the best seat in the house, if you ever go

It’s brave to me it’s Paul’s version of Radiohead’sParanoid Android”.

The hardest song to approach?

He answers without hesitation: “Jetis a tricky track”.How does the process work?

Look, you should never just mix in Dolby Atmos as a standard.

So of course, I grew up listening to this album.

He remembers a burnt tire near the entrance and a skeletal dog lying on the road.

“Look, you should never just mix in Dolby Atmos as a standard.

You should mix to make you feel something”, Martin tells us.

My mum died last year.

Baker shakes a gravel-filled tin can on the track.

My mum always said she could hear it was Ginger Baker playing.

I said I could barely hear it at all.

I totally get it, mum.

Did I feel something, Giles Martin?

Thank you so much for that.

“Don’t worry”, he answered.

“She’d never miss that.

She was there with you.”

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