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If a camera company could make one lens, what would get your vote?
My one lens for wedding and event photography is a trusty 24-70mm f/2.8 (see below).
The 24-70mm f/2.8 is a classic versatile lens in a pro’s kitbag, but Sony’s 24-70mm f/2 will be a versatile if heftier alternative.
It’s a classic pro lens that’s extremely versatile.
The rumored Sony lens story courtesy ofSony Alpha Rumors could be just the ticket.
If it’s true, what can we expect?
The 24-70mm f/2.8 is a classic versatile lens in a pro’s kitbag, but Sony’s 24-70mm f/2 will be a versatile if heftier alternative.
Sticking to a single lens rather than constantly swapping is a godsend for pressured photo and video jobs.
However, such convenience will come at a cost in more ways than one.
I’ve used that lens, and it is a beast.
I’d expect a f/2 aperture version to go for at least $3,000 / 3,300.
And if the lens materializes, it’s the kind of design showboating that we love.
